About

I came to study costume design in London after graduating with a degree in fashion design in my native Italy. I graduated in Costume Design for Theatre and Screen at Wimbledon College of Arts, where I pursued her interest in historical costume whilst discovering a passion for research and the design process.

My interests lie in art and fahion history since I was a child. Now, I strive to create bodies of work with deeper conceptual meanings.

@dilarafindikoglu Spring 26, Look 16

Dilara Findikoglu spring 2026 suggerimento di @laska_archive - @laska______ #fashionillustration #illustrations

My Illustration Process: 20 hours in 40 seconds + unintentional ASMR #fidaworldwide #fashionillustration

Inspired by @maisonmargiela 2025 Fall Couture Show These two illustrations were shortlisted at this year’s @fidaworldwide Awards

I'm delighted to have been shortlisted by @fidaworldwide for the 11th FIDA Awards! #fashionillustration #fidaworldwide

Maison Margiela Couture 2025 Professional markers and pastel pencils #promarkerrendering #glennmartens #glennmartensmargiela #promarkerfashionmoda #promarkerfashion #maisonmargiela #margiela #fashionillustrations #illustation #margielaillustration #martens

Robert Wun - Fall 2024, Look 25 #robertwun #fashionillustrations #fashionillustrationoftheday #coutureillustration #robertwuncouture #illustration

Illustrations made by me

“The Cleopatra icon has remained powerful over time because she signifies reinvention - the fantasy of being able to slough off one's "tires and mantles" for a new skin. Cleopatra inspires in those who love her the desire to know her. An image always still in formation, Cleopatra slides out of the poet's and scholar's grasp” (Royster, 2003)